Ever since the first trailer for this film came out, I have been intrigued by this film. The scope and scale of this story of a simple-minded man I was told several times was the perfect "Terry" movie. It sounded like it had great potential to be an Oscar candidate. At its best, it could be the next Forrest Gump. At its worst, it could end up just being an average family holiday movie like Jack Black's Gulliver's Travels or Adam Sandler's Bedtime Stories have been in recent years. I was very excited to see which it would be, hoping it would be that Oscar contender it looked like it could be. So which would it be? The answer is ... neither.
Walter Mitty (Ben Stiller) is a man of no great consequence that lives a simple, uneventful life as a negative photo analyst for Life magazine. He gathers photo rolls from the magazine's photographers, and touches them up to make them printable. He has done nothing significant in his life, but often daydreams and "zones out" thinking about the amazing things he could be doing. Many of these fantasies are spurred on by famous free lance photographer Sean O'Connell (Sean Penn) who Walter has developed a good working relationship with by working with his photos. O'Connell is a perfect foil to Walter. He is a complete nomad who travels the world looking for the best photographs the world has to offer. No one every knows where he is. His pay stubs have to be sent to several different places hoping that eventually he will end up in one of those spots. O'Connell is everything Walter dreams he could be.
Several events start to bring about some changes in Walter's life. First, he starts to fall for a co-worker, Cheryl (Kristen Wiig), who doesn't really know he exists which is something he actually tries to change. There is also a mix-up with a very important roll of film from Sean O'Connell that requires Walter to meet his idol for the first time, but he has to find him. With some encouragement from Cheryl, he decides to live out some of his dreams and try to chase down O'Connell. Re-tracing O'Connell's steps turns Walter into the globetrotting man of significance he always wanted to be.
The strength of this film is by far its direction. This is Ben Stiller's fifth feature film as director and first since 2008's Tropic Thunder. The scope and scale of his films have been increasing with this being his most ambitious effort yet. He continues to prove with every movie that he is extremely talented behind the camera. Some of the visuals in this film look like a director who is competing for a Best Director Oscar. If he hadn't done so already, he definitely proves with this film that he needs to be taken seriously as a respected director. The direction is what gives the impression of an epic.
As far as the story is concerned, it's no Forrest Gump for sure. Walter Mitty is definitely an interesting character that the audience enjoys watching go from epic situation to epic situation, whether real or imaginary. However, the plot falls short of what a character like Walter Mitty deserves. The premise that leads to Walter's adventure is fairly unbelievable and underwhelming. It also screams of a predictable and underwhelming resolution that you can guess 10 minutes into the film, and although the ending didn't go quite like I thought it would, I knew from the start that the premise would never produce an ending one could consider "epic." With that said, a story doesn't have to be epic to be good. The relationship between Walter and Cheryl is very real and believable with both actors giving stellar performances. Also, the premise that leads to Walter's journey, although it may not be epic, is still fun and able to keep one's interest throughout the film. I just had such high hopes for the film to be a masterpiece, I couldn't help be a little underwhelmed. I realized quickly its aspirations were never as high as my expectations were.
So which one is it? Is it Forrest Gump or Bedtime Stories? I said earlier that it's neither. It's better than the common family holiday comedy. However, it never reaches the heights of an instant classic. Like I said, it never wanted to be. If I were to compare it to a film, it is more on the level of something like Stranger Than Fiction, which is a film I loved. It's not quite as good as Stranger Than Fiction, but there are some definite similarities to the characters and plights of Ben Stiller's Walter Mitty and Will Ferrell's Harold Crick. So where does that leave Walter Mitty and his secret life? Well, it won't get the Oscar attention so many were predicting. It might get some technical attention for Cinematography or Production Design or something along those lines. At the end of the day, it is a solid, feel good holiday film with some characters that add more depth and quality than your average family holiday film. I liked it for what it was. Now if only it could have tried to be more...
So, I have been on somewhat of a Sean Penn kick recently, specifically his early stuff. He must have been just the most astonishing young actor to watch back in the early-mid ‘80s. Here, I am going to rank the best performances of his award-winning and diverse career. Note: as incredible of an actor as Penn is, I still feel that his greatest contribution to cinema is his most recent directorial outing, Into the Wild.
For the record, here are the potential contending performances that I have not seen yet: At Close Range, Casualties of War, Colors, State of Grace, and This Must Be the Place
Others receiving votes: 21 Grams, The Game, Hurlyburly, She’s So Lovely
10. Fast Times at Ridgemont High (character: Jeff Spicoli; 1982)
Everyone has a favorite scene or line from this Penn performance. Personally, mine is the ridiculous surfer dream sequence. The film was basically Penn’s big coming-out party, playing a stoner for the ages. Perhaps the only stoner character that can rival the iconic nature of Jeff Spicoli is Wooderson from Dazed and Confused. What is so great about the Penn in this film is that he totally doesn’t belong in the film, but he is so hilarious that he demands screen time, and as a result, walks away with the movie.
9. The Thin Red Line (character: 1st Sgt. Edward Welsh; 1998)
In what is definitely one of the best casts of the ‘90s, Sean Penn rises to the top. Even though Elias Koteas has all the Oscar scenes and Nick Nolte has the fieriest character, it is Penn’s sincerity that is the lasting impact of one of the most amazing war films of our time. Seeing how brilliant he was in this Malick film, I can’t help but feel upset about how little screen time he ended up with in The Tree of Life. He is a perfect Malick performer.
8. The Assassination of Richard Nixon (character: Samuel J. Bicke; 2004)
The part of this performance that most resonated with me was how you could really begin to understand what was going on in Samuel’s head. It is so difficult to connect the audience to a character who is that unstable. Penn embraces the devastating nature of the character as well as any actor, and he turns this downbeat character study into some of his finest work.
7. Taps (character: Cadet Captain Alex Dwyer; 1981)
While Timothy Hutton and Tom Cruise got all the pub for this fairly average cadet drama, it is Penn’s supporting part who steals the movie. Perhaps more than any actor today, Penn can give an entire performance with his eyes. This is one of those tragic characters that you can feel the pain of his character just by looking at his face. The scene that results in the fistfight with Major Moreland is devastating to watch. An astonishing debut performance by Penn.
6. The Falcon and the Snowman (character: Daulton Lee; 1985)
I would like to thank Richard Roeper for naming this one of the most underrated movies during his Breach review. If he hadn’t then I may never have found it. It is such a brilliantly-written movie, and the way that Timothy Hutton and Sean Penn play off each other is simply incredible. Usually, you can still see spots of Penn in his roles, but this is one of the cases where he gets completely lost in the character. It isn’t one of the toughest roles he has played, but it is certainly one of his most complete performances. See this movie if you haven’t.
5. Bad Boys (character: Mick O’Brien; 1983)
Sean Penn is absolutely on fire in this movie. He could have easily overplayed the role with all the figurative and literal punches that his character takes throughout the film, but he plays it subtle. He has such pain and anger in his face. It is one of his most affecting performances, and it is clearly the film that turned Penn into the finest young actor of his time.
4. Milk (character: Harvey Milk; 2008)
This could be the most passionate performance that Penn has ever delivered on screen. He lived as Harvey Milk. Seeing clips of the subject of the film, I realized that it is more than just an impression. It was an embodiment. The way Penn is able to wear the quirks of his character and still give the commanding performance that we expect from him is a marvel to watch. And the scenes between him and Josh Brolin are pure brilliance.
3. Mystic River(character: Jimmy Markum; 2003)
Despite the opinion of some (Zach), this performance stands as one of the best of the 2000s. It is so much more than the “Is that my daughter in there?!” scene. The devastating scene in the middle of the street with Kevin Bacon and the “I can’t even cry for her” scene just rip my heart out every time in a way that only Penn can. He gets inside his characters and just bleeds passion and authenticity. There is no escaping the impact that Penn has on this movie. It is a master class in acting.
2. Dead Man Walking(character: Matthew Poncelet; 1995)
This performance is maybe the most devastating of Penn’s career. What is so impressive about this (other than everything) is that so much of his performance is reactions. The way he reacts to hearing his appeal was denied. The way he reacts to hearing the film’s title. It is a performance of subtlety and sincerity. I cannot express how much Penn’s performance got to me particularly in the later scenes. It is certainly among the elite performances of not only his career, but of anyone’s career in the last 20 years (yet Nicolas Cage is still my win in 1995).
1. Carlito’s Way(character: David Kleinfeld; 1993)
If you didn’t know better, you wouldn’t even realize that Penn was in this movie. Never has he disappeared into a role the way he did into the coked-out lawyer in Brian De Palma’s superb crime drama. Whenever you can be on the receiving end of an Al Pacino bout of rage and still steal the scene, you know you are doing something special. But the beauty of this performance is that you don’t really know what it is that he is doing. He simply sheds every bit of Sean Penn and steps into David Kleinfeld. Oh, and you know you are iconic when you inspire a character in a video game like GTA: Vice City. Penn is so good that it is scary.
Thoughts? Comments? I know my #1 can’t be too popular of a choice. Anyone else stoked for The Gangster Squad?